From the top-right corner, click on “OpenFx.”.After you are done editing, go to the color page.Now coming to the steps on how to color grade S-log3: Which profile to use is your personal preference, do tests and see which one suits you best. Credit-Sonyīoth the S-log, PP8, and PP9 picture profiles use an S-log 3 gamma curve similar to the Cineon curve and give more stops of dynamic range than S-log2. Whereas S-Gamut3 is concerned, which is PP9 on Sony Cameras, it uses a camera native wide color space which is a bigger gamut than PP8 and can be suitable for archiving. S-Gamut3.Cine, which is PP8 on Sony Cameras, is a gamut similar to that of film negatives used by T.V productions when shooting on film was a thing, hence the name has “.cine.” Credit-Sony Now the place where most of you guys are confused is which color space is better when shooting S-log, PP8([S-Gamut3.Cine) or the PP9(S-Gamut3). We all know that Sony S-Log3 is filmmakers’ most used color space when shooting on a Sony camera. How To Color Grade Sony S-log3 (PP8 and PP9) In Davinci Resolve Sony has been improving on its color science, but no article on the web talks about leveraging the data captured by the sensor.īy the end of this tutorial, you will learn how to grade Sony S-log3 and HLG and not depend on any LUTs for your color grading projects. Now Sony has been releasing top-of-the-line cameras for indie filmmakers that shoot professional-quality videos and are even better for photography. So this tutorial is dedicated to all the filmmakers who are grinding and cannot afford those costly cinema camera setups for their indie film projects but want cinematic quality to the footage.

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